
Cutting dialogue like you mean it
When to stay on the speaker and when to cut away, without telegraphing the move.
Read the pieceWriting about the craft of post-production — short, practical, and aimed at people who actually edit.

When to stay on the speaker and when to cut away, without telegraphing the move.
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Exposure choices that save the grade later, and the small habits that prevent them.
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The three or four things every finished retouch should pass before it leaves your desk.
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